INFLUUT is a duo from Switzerland playing electroacoustic jazz.The essence of their music takes origin in the encounter of two souls with multiple faces and lives.Two opposite yet complementary approaches meet to explore instrumental harmonies and algorithmic synthesis.
Their approach to composition leaves room for improvisation and electronically randomized sound events for building up a musical narrative that follows organic flows with a technological component. Nat Cilia brings her melodic subtleties and spontaneous breathings, Daniel Maszkowicz brings his psychoacoustic sounds and binaural effects.
Their creative work is initiated by a perpetual questioning about the world that comes after. What happens after apocalypse, war, pandemic
or mass extinction? Machine encounters Nature in a strong yet subtle entanglement, achieving the renewal of natural fauna with electric
bugs and mechanical automatons. A new cycle commence, like a vivid blow expanding the universe of possibilities.
Online dedicated concert:
Electroacoustic
post jazz (Nat Cilia – saxophone, voice, metallic objects, Daniel Maszkowicz – electronics, synthesis)
Nat Cilia is a multidisciplinary graduated professional artist. She participated as an actress, dancer, composer, and
musician (piano, saxophone, voice) to various production, mainly in Switzerland, France and Spain, notably with the direction of
Jean-Pierre Raffaelli, Roland Olbeter, Esterina Zarrillo and company La Fura dels Baus. She founded Ooops! Company, international company
for corporal and visual theatre production alongside artist Kristina Orlovic with whom she created several productions (ooopscompany.com).
She works now on her multidisciplinary creation INTUITO and electroacoustic jazz duo INFLUUT.
Daniel Maszkowicz is engineering research scientist in power electronics, curator for independent cinema, multidisciplinary performing artist, composer and producer. He is co-founder of electroacoustic jazz duo INFLUUT, primitive analogue electronics duo Biblioteq Mdulair, and performance collective SM Noise. His solo projects make use of digital synthesizers for multi-channel soundscapes. Nowadays, he works on algorithmic sounds and installations, enjoys Data Sonifcation with Python and SuperCollider, all with an approach that brings together science and art, letting speak both the engineer and the artist.
With the participation of
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Mira Lu Kovacs
Balkan Fanatik
Alfina Scorza